layatatva

the manifestation of expressions in one part attains a exalted position through the balance between the contrasts, harmony between the ‘sthira’ and the ‘chala’ ‘shaashvat’- ‘ashaashvat’, constant- moving, anchoring- revolving elements, i. The ‘Laya’ of the ‘constants’ of a design, and the undulations of a different Laya (which has a order of it’s own) of the ‘moving’ elements of design, both have to be skillfully interwoven. The design, unless calls for a totally free pattern, has to be anchored at some points with the ‘constants’. The overall ‘laya’ ryhtm, can neither be totalluy free, nor can it be totally simple.
Layatatva- principle of Rhythm is essential ingredient of all the human endevours….. music, painting, architecture, literature……poetry.

The Saadhana, is the effort of making the expressions effortless through a grooming process. Imbibing the emotions (not sentiments) within, through a process of dehumanized constant repetition of the elements of a medium of expression, involving both body and mind creates a situation where the flow from within becomes spontaneous and effortless.